When I heard the basic idea for Colossal, it was enough to get me excited for the film. The idea is this: Anne Hathaway plays an alcoholic whose actions are copied by a giant monster in South Korea. When she gets drunk and loses control of her body movements, it leads to hundreds of people dying. Going into Colossal I was intrigued to see how the movie would such a unique premise.
Anne Hathaway stars in Colossal as Gloria, an alcoholic who is forced to move from New York City back to her hometown after her boyfriend kicks her out of his apartment. Gloria bumps into her old school friend Oscar, played by Jason Sudeikis, who gives her a job working at his bar. Big news hits that a giant monster keeps appearing randomly in Seoul, South Korea and Gloria discovers that the monster’s only appears whenever she sets foot in a playground. Gloria realizes that her actions have lead to many people dying. It turns out that Oscar also manifests as a giant robot when he goes into the playground. When Gloria sleeps with one of Oscar’s friends, he starts to abuse his power to control the giant robot to manipulate Gloria. This culminates in Oscar beating Gloria up and stomping around the playground while she watches. To stop Oscar, Gloria flies to South Korea while allows her to manifest as the monster at the playground in her hometown. She coops up Oscar and throws him into the distance, ending the giant robot’s reign of terror.
This movie succeeds on the strength of Anne Hathaway’s performance. While it’s hard to feel too sympathetic for Gloria, it’s undeniable that Hathaway is doing some superb acting. The same can be said for Jason Sudeikis who is doing his usual straight man routine. Colossal doesn’t completely suck because both Sudeikis and Hathaway are good at their jobs.
Watching Colossal, I felt that the movie was acceptable but not as entertaining as I was expecting. Usually I am good about tempering my expectations but this time was different. I was expecting to be blown away by this film based on some reviews I had read but I felt that the film was simply decent. I feel that Colossal could have used its premise to make for a a more entertaining film. I found myself bored watching Colossal because the stakes were not clear enough. I think the problem is that the film’s central conceit is so obviously unnatural that it becomes hard to take the movie seriously. Perhaps Colossal would have turned out better as a dark comedy instead of a drama.
I am inclined to recommend Colossal because it is an original film. It’s a film that goes against the grain of Hollywood and that is something worth championing by itself. Beyond originality, it’s hard to recommend anything about Colossal other than the performances. It’s a shame that Colossal is not a more well constructed film. We need movies like Colossal to be superb instead of just watchable. At least watching Colossal will give you some insight into what its like to be an alcoholic. The problem is not that Colossal is a bad movie. It’s that Colossal is not as good as it should be.
Get Out is an incredibly surprising film. It combines aspects of comedy, horror and science fiction into one powerful statement on race in the 21st century. If you have not yet seen Get Out I strongly encourage you to watch the film as soon as possible because it is one of those rare films that changes your perspective for life.
Get Out stars Daniel Kaluuya as an African American man named Chris Washington who visits the family of his girlfriend Rose Armitage. Chris is concerned that his girlfriend has not yet told her parents that he is black. Once they arrive at Rose’s family home, strange things start happening. The family employs two african americans as caretakers and Rose’s mom hypnotizes Chris to make him quit smoking. Each member of the family is awkwardly focused on Chris’s skin color to the point that he feels uncomfortable but he stays because he is committed to his relationship with Rose. Eventually we discover that the Armitage family has a secret plan to sell Chris’s body to the highest bidder and surgically transfer another person’s brain into Chris’s body. It’s a stunning twist that leaves you utterly breathless because it completely changes how you view the rest of the movie. The remainder of the movie involves Chris as he attempts to escape the family’s clutches and avoid the unfortunate fate of so many other African Americans.
This film is written and directed by Jordan Peele who is well known as a member of the comedy duo Key and Peele. I am not familiar with his comedic work but judging by the quality of Get Out I can say that this man is enormously talented. My favorite thing about Get Out is how the film balances elements of so many different genres. This has the effect of making you unsure whether you should laugh, cry or cringe at the events taking place on screen. Where most movies struggle to utilize one tone, Get Out triumphs at integrating multiple tones into one film.
I will say that this film is fairly slow through the first act. While mysterious events kept me intrigued, there was simply not enough in terms of character work to keep me engaged in the story. It appears that Jordan Peele’s strength lies in comedy and plotting because his characters are not exactly the most interesting. The main thing that keeps you engaged in Get Out is the mystery of what will happen next. A slow start is pretty much the only complaint I have against Get Out. For the most part, this is a very compelling film, especially once it hits its stride in the third act.
The ending of this film is one for the ages, the plot of the story is well crafted and the subject matter is very much relevant to what’s going on today. It’s hard to find anything bad to say about this movie. It’s amazing that this movie exists and that it was released in February. It’s a huge move for Jordan Peele who seems to be branching out from comedy to filmmaking and it’s a movie that will reward multiple viewings. Can you tell that I liked this movie?
Go watch it. You will not be disappointed.
Hey Guess What?
Power Rangers is being rebooted as a film and its coming to theaters on March 24th of this year. The second trailer for the film was released about a week ago and I am just now getting to watching it and Holy Shit it has my attention. Without further ado, here’s a link to the trailer:
POWER RANGERS TRAILER
I like that the film is not above laughing at its own ridiculous premise in the trailer because the idea of teenagers stumbling upon a secret cave and realizing they are the chosen ones is ludicrous to say the least. The CGI looks pretty good. I am hoping that this become a funnier and less serious version of the Transformers franchise.
Honestly I’m surprised it took this long for Power Rangers to be turned into a film. I know Power Rangers has been rebooted as several different television series but not making a movie is like leaving money on the table. Even if this film is a complete disaster, I still imagine it will make a ton of money because kids eat this crap up. Power Rangers was my favorite show as a young child so I am happy to see it become a major motion picture. It’s easy to make fun of the show but I will always have a soft spot for it because it hit me at such a young age. I hope that a new generation of children can find joy in Power Rangers just like I did.
Martin Scorsese’s Silence is beautiful to behold yet difficult to digest. Rather than look for meaning in the assurances of faith, Silence examines the absurdity and failure of priests to bring Catholicism to shogun-era Japan. At times the film is difficult to watch but it is undeniably a masterpiece from one of the most talented filmmakers of our time.
The plot centers on two Jesuit priest who journey from Portugal to Japan in the 17th century to locate another priest and spread Christianity. The priests travel to several small villages to facilitate the conversion of the locals to Christianity. Their task is complicated by government soldiers who terrorize the village and its residents for practicing Christianity yet the priests never back down from their mission because they truly believe that converting the inhabitants of rural Japanese fishing villages to Christianity is a worthy endeavor. The priest named Rodrigues (played by Andrew Garfield) is captured when a fisherman named Kichijiro betrays him by luring him into the hands of the soldiers. Rodrigues is then brought to Nagasaki where he “the Inquisitor” explains to him why Catholicism does not have a place in Japan. Rodrigues also meets with his old mentor Father Ferreira (Liam Neeson) who encourages Rodrigues to give up his mission because he believes that it is a lost cause. Ferreira has assimilated into Japanes culture since he believes that continuing to convert the Japanese people to Catholicism will only result in more suffering for the Japanese and the Catholic priests. Eventually Rodriuges gives in to Ferreira’s request and commits apostasy by stepping on an image of Jesus.
In Silence nothing is automatically right or wrong. There are many characters with ideas of what is right and what is wrong, but the film itself never seems to formally recognize any ideas as being better than others. The only true thing about this film is that the world is complex and often there are no easy answers to questions about humanity. People believe that everyone should be Catholic but actually trying to convert people in a foreign culture to Catholicism when another religion already exists is a task fraught with difficulty. The priests in Silence are flawed by their belief that Christianity should exist in every part of the world.
In addition to its intellectual strength, Silence is also breathtaking at times and features fantastic cinematography. Its great that Scorsese’s latest films are so long yet entertaining. It’s as if Scorsese was so used to making films the old way that making films nowadays is like going from safety scissors to actual scissors. Scorsese continues to hit home runs every time he steps up to the plate.
Invasion of the Body Snatchers is one of those classic science fiction films that you always hear about but never sit down to watch in its entirety. The premise is brilliant in its simplicity. What if alien seed pods were to grow exact copies of humans? The copies incorporate all of a person’s memories and physical traits but none of their emotions. It reminds me a lot of an episode of the twilight zone.
In a sentence, Invasion of the Body Snatchers is a very entertaining film. I am always impressed when movies that were made several decades ago can be this entertaining. It did take longer than usual for me to accept the world because it feels so different from the present-day, but It would be wrong to hold this against the movie. The characters are well-rounded enough and I imagine the world felt realistic to people watching the film in 1956. The best thing about this movie is how quickly life goes down the drain for the main characters. In just a few days, the protagonist goes from a normal doctor to a blabbering mad man. This character’s downward cycle is really fun to watch.