Life is an R-rated movie set in space starring Ryan Reynolds and Jake Gyllenhaal. For me this film is a perfect example of mindless entertainment. It’s a film with a clear goal: to gross you out and keep you on the edge of your seat. If you bought a ticket for this movie, you most likely knew what you were going to get. While this film does not offer much in the way of life-changing insight, it is still worthy of analysis.
The story of Life is one that has been recreated countless times in film and television. A crew of astronauts aboard the International Space Station discovers evidence of extraterrestrial life on the planet Mars. As the crew begins to research the alien, they discover that the alien is a lot more dangerous than they initially thought. The alien life form, named “Calvin” by school children on Earth, grows rapidly and focuses on killing the astronauts using its strength and ingenuity. We watch as the astronauts’ structured routine devolves into complete chaos as the alien tracks down and kills the crew members one by one.
It’s clear that Life is a low-budget script delivered in a high-budget fashion. Life makes up for its lack of narrative substance with gorgeous visuals and special effects. My favorite thing about Life is how realistically it depicts astronauts aboard the ISS. The entire film takes place in zero gravity and camera sometimes appears to be floating itself. If you watch films as visual art, then you will not be disappointed by Life. At times you can simply marvel at the images you are seeing on the screen in front of you.
Life is unabashed about its story from beginning to end. It is almost as if the creators of this film decided early on to abandon any hope of developing a complex narrative. There’s nothing inherently wrong with this approach to film making. The murderous alien formula is tried and true at this point but it says something that most of our movies about alien contact devolve into gore-filled chaos. This is fun to watch but I would like to see more experimentation with this kind of story
It’s strange to me that Life employs such expensive actors given its B-movie narrative structure. In an age where companies like Blumhouse specialize in producing successful movies for as little money as possible, you would think that other companies would catch on to this strategy. Don’t get me wrong, it is fun to see Reynolds cracking jokes and Gyllenhaal commit to a haunted war veteran persona but I can’t help but think that other actors could portray these characters just as well for much less money.
Life is not a film that provides profound insight insight into the human condition. While many movies challenge you to look at things from a new perspective or to change your beliefs about something, Life delights in doing exactly the opposite. I can watch a movie like Life and enjoy it for what it is but I can’t help but think that a similar and more effective movie could have been made for less money.
Get Out is an incredibly surprising film. It combines aspects of comedy, horror and science fiction into one powerful statement on race in the 21st century. If you have not yet seen Get Out I strongly encourage you to watch the film as soon as possible because it is one of those rare films that changes your perspective for life.
Get Out stars Daniel Kaluuya as an African American man named Chris Washington who visits the family of his girlfriend Rose Armitage. Chris is concerned that his girlfriend has not yet told her parents that he is black. Once they arrive at Rose’s family home, strange things start happening. The family employs two african americans as caretakers and Rose’s mom hypnotizes Chris to make him quit smoking. Each member of the family is awkwardly focused on Chris’s skin color to the point that he feels uncomfortable but he stays because he is committed to his relationship with Rose. Eventually we discover that the Armitage family has a secret plan to sell Chris’s body to the highest bidder and surgically transfer another person’s brain into Chris’s body. It’s a stunning twist that leaves you utterly breathless because it completely changes how you view the rest of the movie. The remainder of the movie involves Chris as he attempts to escape the family’s clutches and avoid the unfortunate fate of so many other African Americans.
This film is written and directed by Jordan Peele who is well known as a member of the comedy duo Key and Peele. I am not familiar with his comedic work but judging by the quality of Get Out I can say that this man is enormously talented. My favorite thing about Get Out is how the film balances elements of so many different genres. This has the effect of making you unsure whether you should laugh, cry or cringe at the events taking place on screen. Where most movies struggle to utilize one tone, Get Out triumphs at integrating multiple tones into one film.
I will say that this film is fairly slow through the first act. While mysterious events kept me intrigued, there was simply not enough in terms of character work to keep me engaged in the story. It appears that Jordan Peele’s strength lies in comedy and plotting because his characters are not exactly the most interesting. The main thing that keeps you engaged in Get Out is the mystery of what will happen next. A slow start is pretty much the only complaint I have against Get Out. For the most part, this is a very compelling film, especially once it hits its stride in the third act.
The ending of this film is one for the ages, the plot of the story is well crafted and the subject matter is very much relevant to what’s going on today. It’s hard to find anything bad to say about this movie. It’s amazing that this movie exists and that it was released in February. It’s a huge move for Jordan Peele who seems to be branching out from comedy to filmmaking and it’s a movie that will reward multiple viewings. Can you tell that I liked this movie?
Go watch it. You will not be disappointed.