Hell or High Water Review

Hell or High Water is written by Taylor Sheridan and directed by David Mackenzie. While I am unfamiliar with Mackenzie, I know that Sheridan wrote the script for Sicario which is one of the best films of last year. Once I knew that Sheridan had wrote the script for Hell or High Water, I rushed to the theater to see the film. That was the first time I had been to the theater in several months.

Hell or High Water stars Chris Pine and Ben Foster as two brothers who rob banks to pay banks. Pine plays the quiet and intelligent brother while Foster is more of loose cannon. The brothers’ plan is to steal only a few thousand dollars during each robbery so that the FBI will not get involved. Jeff Bridges plays a nearly retired cop who decides to investigate robberies with his partner played Gil Birmingham. We spend significant amounts of time with both duos and the dynamic between both is quite entertaining. The brothers’ goal is to pay the debt on a reverse mortgage so that their mother’s home will not be foreclosed. This honorable intention justifies their illegal behavior in my mind and provides a commentary on the difficulty of surviving in the United States where debt slavery is a very real problem. I was definitely on board with the brothers’ goal.

One of my favorite things about Sheridan’s writing is the realistic quality of the dialogue. Everyone from Pine to the most ancillary character sound incredibly realistic. The most attention grabbing scenes in the film are not the heists but the interactions involving everyday people living in Texas. Truly this is a testament to Sheridan’s abilities as a writer. As a psychology and linguistics nerd, these scenes are by far my favorite in the film.

Hell or High Water does not contain an agenda. The film simply presents a realistic story and lets the audience draw their own conclusions. I find this kind of film so refreshing because it seems the majority of films in theaters these days are needlessly complicated. Hell or High Water is as entertaining as film gets for me. While I could nitpick certain elements that bothered me, I would much rather celebrate the movie for what it accomplishes than degrade it for minor personal annoyances. I would hope to share my appreciation for this film so that others can understand and share in my love for it.

Hell or High Water is an interesting second step for Sheridan. Sheridan has made a film with more local color that seems more personal than Sicario. With Hell or High Water, Sheridan has transitioned near seamlessly from one project to another.

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